Violence, religion, injustice, and death
*The fact that she could smell the rain before she opened the door should've tipped her off that this wasn't really the room with the Wammy's House grounds, but she's already taken the first step in.*
No, no, fuck no.
*She's done this before, more times than she's admitted to anyone, mostly in that awful more-than-a-week when Mail was missing.
She's in the truck; she knows the Nagano street sign by heart. She can't keep herself from feeling desperately lost and alone, can't keep her eyes from flicking to the television screen in the cab, where the car is just a red blur, and she can't make sense of the broadcaster's voice. She could count it down, almost, from the time the wheels leave the pavement. Ten, nine, eight. It's not real, Mihaela, it's just a room. Seven, six, five. You still have your ring, nothing can really break the spell. Four, three, two. The vise about to clamp down on her heart, and the part of her that's in the moment wants it. One. One hand on her rosary, one curled tight around the ring; everything goes black, and she doesn't feel her head hit the steering wheel.*
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curtainwizard]]
No, no, fuck no.
*She's done this before, more times than she's admitted to anyone, mostly in that awful more-than-a-week when Mail was missing.
She's in the truck; she knows the Nagano street sign by heart. She can't keep herself from feeling desperately lost and alone, can't keep her eyes from flicking to the television screen in the cab, where the car is just a red blur, and she can't make sense of the broadcaster's voice. She could count it down, almost, from the time the wheels leave the pavement. Ten, nine, eight. It's not real, Mihaela, it's just a room. Seven, six, five. You still have your ring, nothing can really break the spell. Four, three, two. The vise about to clamp down on her heart, and the part of her that's in the moment wants it. One. One hand on her rosary, one curled tight around the ring; everything goes black, and she doesn't feel her head hit the steering wheel.*
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I did. And. She killed me.
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[He remembers the shell of the church, and the photographs of the charred bodies, and something about that keeps the ghost of triumph off his face. It might be the memory of Mikami's mistake, or it might be, far, far down, the whisper of conscience around Takada's death.]
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*Very, very quietly, but there's a hard edge to it. She caught that he didn't gloat, when it would be so easy to, when she would expect him to, and wonders why not.*
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Anyway, he'd already known what Takada did.]
You were the random element. You and him.
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We had to be. We shouldn't have had to. *Softly, more thinking out loud than anything else.*
What happened to you?
*She's not going to admit she saw it.*
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You—
[Abruptly, he remembers, and he doesn't forget things like this: You were here when I came in. I saw you, and you saw me.]
You saw. Don't lie to me.
[What he thinks, bubbling like a tar pit to burn him, is That's not like you.]
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*Which is not like her either, and she knows it. But she also knows him well enough by now to know he'll blame her, hate her even more, if possible, for having seen it.*
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You did, you did, you did mean to. You saw, and you'll—
[You'll tell them: you'll tell all of them. He's overwhelmed by it again, this thing so private to him that's going to be taken from him forever. His face falls back behind his hands, and words spill out under his breath - not clearly audible, but he's repeating himself: what did I do wrong? what did I do?]
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*Not that she won't tell people if it's relevant, or hesitate to use it against him if she needs to. But he's still so pitiable, so obviously broken, that her next words are a few shades closer to gentle than she really intends.*
I'd at least have made it clean.
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Usually when something like this happens, there's a tiny, quiet centre that can't be touched: that watches from outside and helps keep him himself. But today it's breached and broken, and can't help him, because it died when he did.]
Don't pretend you pity me! You loved it!
[He's got to hear that she enjoyed it: it would call the hate like a siren. It would protect him. Flipping himself over to face away from you - the pain again, winding him, pulling out a thick sob. Painfully thin hands skating over his face, threading into his hair. This is me. I'm real: I'm still here: I'm not going to die.]
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You really think I'd pretend that?
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[He's convinced you've got to know enough to realise how much worse it makes it, to have someone you despise turn around and show you kindness. It grates against his pride, shattered into dozens of raw edges as it is.]
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Don't ask me to make it easier for you.
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[The accent's still flailing all over the place, as he goes on to speak some of the things that steady him: to try and remake reality to be as he wishes.]
I killed my L, and my you. I promised to hurt Mail and you. I know you're glad about what happened to me.
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*She looks away.*
Doesn't mean I won't drop you if you so much as look cross-eyed at Mail.
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My eyes don't cross.
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[A ragged whisper of certainty. Everything he knows about himself is in it.]
You might not like what I thought, but at least I did think.
[All his contempt for Mellos is in that little accusation. His hate for them centres around another locus entirely.]
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*She can't know that Light once called the world "rotten" too, but the reversed reflection of her own words from the room that still makes her feel dirty--dirtied--is deliberate.*
I think. *Cold, contemptuous.* I don't believe I should get to think for everyone else.
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But you did, Mel. You didn't line people up and ask them what they wanted. It was all about you - what I'd done to you, how you had to get me before Near. Admit it. You felt. You acted and reacted. You didn't think.
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I did it to keep you from killing them. To win by saving them, yes, of course. But not just to win. To have it mean something, if I had to die. And it did.
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You wanted to shock us into a mistake. In effect, you gave your life for a gamble. It would have—
[He manages to bite that off: It would have come to nothing, if Mikami hadn't failed me so completely.]
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Anyway, it worked.
*She sighs. It doesn't hurt as much now, that deep breath in. The sense of hopeless resignation is taking longer to fade.* You're never gonna get it, are you?
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[Everything he's saying is low and vehement: these are things he'll believe, if not till the day he dies, then for at least a hundred years. Concentrating on these axioms brings him a little closer to himself. You can't stop me. One day I'll be gone, and you'll never know why. He wishes he could spit it at her.]
All that brought me down was an oversight. Meaningless. Nothing to do with right or wrong.
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That's what you don't get. Right and wrong apply to you, Kira. You only think they don't.
*She uncurls, puts her hands on the floor. She thinks she might be able to stand.*
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He's nowhere near being able to stand - turning over, in itself, drained him. Curled on the spot, the undertone's almost a promise.]
You're more like me than you'll ever dream. Right and wrong are what you say they are, isn't that so? Only one of us can be right.
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True, it's true. He paid for what he did. Still too late for me, though.
[A very slight singsong note creeps into the half-whisper, because Light can't see his own defeat to acknowledge it. He's pulling his cloak of lies back around himself - the ones he tells others, and the ones he tells himself.]
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*She gets to her feet, goes and stands over him. She's not going to hurt him; it's enough that they both know she could.*
You'll see someday.
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They had no right. No understanding. They didn't beat me, they were just ... lucky. It was random.]
Or maybe you will, Mel. One day, perhaps you'll listen, and you'll see it. Wouldn't that be something?
[It's almost, almost mocking: he wants her to go: to give him space to collect himself up and get out. But there's a hint of something else, too: I'd tell you, if you only asked. If you were honest with yourself.]
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What is it you think I'll see?
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One day, Mel. Not today.
[He can't help it: he wants to convince her. He wants to hear her admit it for herself: that Light was right, that Kira was justice, all of it. What would it take? How would he break her, if she did?]
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*She steps around him, delicately, as if contact with him might dirty her boots, and goes out the door.*
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Slowly, he catches his breath again, and concentrates on Mel, and her accusations, and the things he wants to do to her: words and blood and knives. There's nothing other people's good luck can teach me, except that it's time for my own.]