Dear mun
*It's this room again, and Mel is writing in the journal set out on the desk, scowling, ripping the paper when she scores the underlines.*
You. Bitch who types for me.
You're going to do what?
Do you really think it's an idle threat when I say someday we'll find out together just how long-range my Glock is?
[for
curtainwizard]
You. Bitch who types for me.
You're going to do what?
Do you really think it's an idle threat when I say someday we'll find out together just how long-range my Glock is?
[for
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Shut the fuck up.
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Or you'll do what, Mel?
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*She feels the words plod out like stones falling from her lips. That bitch won't let her hurt him here, and she knows they both know it.*
It's not by my failings that I'll die. It's fucking narrative necessity.
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Ye-ess. It's a shame, isn't it?
They decide it's time for you to die, and then - [turning to face her properly, he waves one hand, like a magician.] - you're gone.
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*It's uncomfortably close to possible, feeling like they're in the same boat, buffeted by the same whims of unseen others.*
I'm fighting this bullshit.
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[It's said with yet another of those silent, ugly laughs. He believes, as strongly as ever, that people like Mel don't have it in them to acknowledge the truth.]
That's nice, though, that you plan to fight her. You expect it to work, do you?
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*It's part of what Mel is, that she steadfastly refuses to accept anything that contradicts what she wants. She lifts her chin.*
That bitch can't resist that date coming up. You know the one I mean. She thinks it's fucking awesome. Well, fuck her. I'm the one who should be writing us.
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[It's just a little too quick. He's got his own date coming up, for all that he's already lived it - how many times now?]
But the thing is, you don't write yourself, do you? Ellie's never listened to you as much as you might have wanted.
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*Mel is rather fond of Vashti, actually, but she'll never pass up a chance to needle Light.*
And your mun doesn't exactly hang on your every word, does she? Smart girl, that.
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[It's almost a purr, and he's making more of it than there, in fact, was.]
She wanted to keep me in the mansion forever - and yet, here I am out of it, and you ... what's going to become of you, Mel?
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*This is a stalling tactic, to cover that she doesn't know.*
I'll be all right. *She's a Mello, after all.*
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Matt is an idiot.
[Light doesn't miss him. Not even a tiny little bit.]
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I will be all right. Possibly more interesting for that bitch who types for me, for a bit. They do hate happiness and stability, don't they?
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[His position shifts slightly, and what he tells her next, he does to unsettle her.]
She killed one of us, you know. The boy.
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Mine doesn't bother writing out most of my deaths at this point. The real one's different, at least. Which boy do you mean?
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[He's not unsettled, either; he's there for life, and knows it. The irony in his description may be deliberate.]
Or rather, she reinvented him. I suppose he's happy now. He got what he wished for.
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*She didn't mind him, which is a novelty for her and Lights who have been anywhere close to being Kira.*
Mine does the worst shit to the ones she likes the most. Some sort of fucking backwards overcompensation.